This is Part Four of a serialized long-form essay. If you missed them, read Part One, Part Two, and Part Three. How do you 'move on' when your whole village—both its people and the place—are part of the event that changed your life? What does 'coming home' look like when, in the words of Somali poet Warsin Shire, "home is the barrel of a gun”?
Kocho's Living Ghosts - Part Four
Kocho's Living Ghosts - Part Four
Kocho's Living Ghosts - Part Four
This is Part Four of a serialized long-form essay. If you missed them, read Part One, Part Two, and Part Three. How do you 'move on' when your whole village—both its people and the place—are part of the event that changed your life? What does 'coming home' look like when, in the words of Somali poet Warsin Shire, "home is the barrel of a gun”?